Inspire Motivate - 50ps

Inspire Motivate

https://www.youtube.com/watch?v=lCUVBH5-72I

Piece it Together - 50ps

https://www.youtube.com/watch?v=Wqub2xHZ34w

Im trying to evoke feelings of 'Highness', 'Flyness', above all of it all...

Beautiful World-25ps

http://photopeach.com/album/186g568

Hey Its A Podcast -50ps

https://www.youtube.com/watch?v=RzqQlAJdx4Y

You Dont Have to Watch The Whole Thing -75ps

M.NIght Shyamalan's "The Village" in 60 seconds

I Leon McCollum and Sydney Jones Worked on this

https://www.youtube.com/watch?v=k3WuPL87rOc

One SHot Lip Dub-50ps

https://www.youtube.com/watch?v=9WcCilcR8y8&feature=youtu.be

Leon McCollum and Terrel G Behind Animation-75ps

In animation, there are common types of style and aspects that formulate what is to be. These style and aspects are seen throughout the short “Alarm” by Mesai. Line, movement, rhythm, and point of interest are what construct the ideas of style and aspects in a film. Line, is a literal or in most cases a virtual sense of linear placement. Movement is a sense of motion. Rhythm is a style that uses repetition to present an idea. Point of interest is the aspect that establishes focus in a particular subject within a shot.

LINE

-In the above shot, there is an purposeful example of Line. A virtual sense connecting two points of interest to each other, as one is planning to interact the other, though it general that doesn’t have to be.

-In the above piece, you get another example of line. The guy’s eye, a point of interest, connects with the open barrel of the gun, a point of interest. Hes looking down the guns sights, and they just by natural association connect in a line.

MOVEMENT

-In the two above shots there’s an example of movement. The shot on the left leads up to the shot on the right, as you can see the motion blur leads from left to right on both shots, which you can infer that theres movement from the left screen to the right. It also creates space because throughout the pan, there are various objects around the room being seen.

RHYTHM

-In the above shot, just looking at the exemplary phone, you get an understanding of rhythm. The Clock continues, throughout the film, repeats its importance, by ringing and causing the guy to turn it off, hence connecting to the whole idea of “Alarm”.

-          In the above shot, the phone, also an Alarm itself, repeats its importance and appearance. Continuously needing to be turned off in a rhythmic format.

POINT OF INTEREST

-In the above shot, you get a clear presence of point of interest, with the clock on the stereo being in prime focus in the middle of the screen.